|
Sir Granville Bantock (7 August 186816 October 1946) was a British composer of classical music. ==Biography== Granville Ransome Bantock was born in London. His father was an eminent Scottish surgeon.〔Hadden, J. Cuthbert, 1913, ''Modern Musicians'', Boston: Le Roy Phillips; London & Edinburgh: T. N. Foulis, pp.42-46〕 He was intended by his parents for the Indian Civil Service〔Anderson, Keith (2001). (''Granville Bantock (1868-1946): Old English Suite; Russian Scenes; Hebridean Symphony (slevenotes)'' ), Naxos. Retrieved 2011-07-16.〕 but he suffered poor health and initially turned to chemical engineering. At the age of 20, when he began studying composers' manuscripts, at South Kensington Museum Library, he was drawn into the musical world.〔 His first teacher was Dr Gordon Saunders at Trinity College of Music. In 1888〔Modern Musicians by J. Cuthbert Hadden (First published by T.N.Foulis in 1913) - Granville Bantock p42 (September 1918 Foulis Reprint)〕 he entered the Royal Academy of Music where he studied harmony and composition with Frederick Corder〔Budd, Vincent (2004, rev 2009). (''Bantock, Sir Granville Ransome (1868–1946)'' ). ''Oxford Dictionary of National Biography,'' Oxford University Press. Retrieved 2011-07-15.〕 winning the Macfarren Prize in the first year it was awarded. Early conducting engagements took him around the world with a musical comedy troupe. He founded a music magazine, ''The New Quarterly Music Review'',〔 but this lasted only a few years. In 1897, he became conductor at the New Brighton Tower concerts,〔 where he pioneered the works of Joseph Holbrooke, Frederic Hymen Cowen, Charles Steggall, Edward German, Hubert Parry, Charles Villiers Stanford, Corder and others, frequently devoting whole concerts to a single composer. He was also conductor of the Liverpool Orchestral Society with which he premiered Delius's ''Brigg Fair'' on 18 January 1908. He became Principal of the Birmingham and Midland Institute school of music in 1900.〔 He was a close friend of fellow composer Havergal Brian. He was Peyton Professor of Music at the University of Birmingham from 1908 to 1934 (in which post he succeeded Sir Edward Elgar).〔〔(''A Reason for Resignation'' ). The ''University of Birmingham Newsletter,'' Issue 21 Vol 2 February 2003. Retrieved 2011-07-16.〕 In 1934, he was elected Chairman of the Corporation of Trinity College of Music in London. He was knighted in 1930.〔 His students included the conductor and composer Anthony Bernard and the composer Eric Fogg. He was influential in the founding of the City of Birmingham orchestra (later the City of Birmingham Symphony Orchestra), whose first performance in September 1920 was of his overture ''Saul''. Bantock's ''Hebridean Symphony'' was recorded by the CBO on 28 January 1925 at Riley Hall, Constitution Hill, Birmingham. This acoustic version, conducted by Adrian Boult, was never released. His music was influenced by folk song of the Hebrides (as in his 1915 ''Hebridean Symphony'') and the works of Richard Wagner. Many of his works have an "exotic" element, including the choral epic ''Omar Khayyám'' (1906–09).〔Foreman, Lewis (2007), (''Bantock: Omar Khayyám'' ) (PDF), Chandos Records. Retrieved 2011-06-27.〕 Among his other better-known works are the overture ''The Pierrot of the Minute'' (1908) and the ''Pagan Symphony'' (1928). Many of his works have been commercially recorded since the early 1990s. Shortly after the composer's death in London, in 1946, a Bantock Society was established. Its first president was Jean Sibelius, whose music Bantock championed during the early years of the century. Sibelius dedicated his Third Symphony to Bantock. Edward Elgar dedicated the second of his ''Pomp and Circumstance Marches'' to Bantock. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Granville Bantock」の詳細全文を読む スポンサード リンク
|